![]() ![]() The Teatro Real abides by a self-governing, permanent and professional management style, in accordance with the most important national cultural institutions. The Foundation is a public entity and there is an important role played by civil society in its governance and sponsorship. The Board of Trustees elects the President of Board and the Executive Commission as proposed by the Ministry of Education, Culture and Sport. The Foundation is governed by a Board of 31 trustees. It relies on two public administrations that took part in its creation: the Ministry of Education, Culture and Sports, and the Comunidad de Madrid (Regional Government of Madrid). The Teatro Real Foundation is chaired by the King and Queen of Spain. It also pays special attention to new audiences, and to popularising opera among children and young people.Īll of this, plus the excellence of its titular Chorus and Orchestra, the use of the most innovative technologies and its across-the –board production of shows of the highest artistic quality, have brought great prestige to El Real in Spain and abroad. Its artistic programme seeks excellence, with an interest in both traditional repertory and contemporary forms, including 20th-century music and the newest avant-garde, with a firm commitment to providing the public with a place where they can discover the best artists and creators of today. Bohnenkamp brings to life the sadistic and demented characteristics of Annie, which she gleaned not only from the book and Bates’ performance in the movie, but also from Annie’s backstory in the Hulu series “Castle Rock.The artistic project behind the Teatro Real has led to its current position as one of the main international opera centres and a benchmark for Spanish cultural institutions. In the play, which is directed by Paul Potenza, Annie holds Paul captive in the middle of nowhere after a debilitating car accident and forces him to write another novel in his “Misery” series. (Jobsite is the resident theater company of The Straz.)īut you’d never guess any of this based on their dynamic performances. ![]() Plus, Bohnenkamp hasn’t been on stage in about eight years: She’s the chief programming and marketing officer at the David A. Although they met while acting in a play together, their characters haven’t interacted on most of the shows they’ve done. Explore all your optionsĪcting opposite each other in the same production doesn’t happen often for Jenkins and Bohnenkamp. Want more of our free, weekly newsletters in your inbox? Let’s get started. Ken Ludwig’s “Baskerville - A Sherlock Holmes Mystery.” Runs through April 23. You wouldn’t know: They deftly and hilariously play multiple roles alongside the two stars. In the comedy-mystery, Holmes and Watson take on the case of “The Hound of the Baskervilles.” Three other actors also appear: Kelly Pekar, James Putnam and Robert Teasdale, who were actually last-minute replacements to the cast. “There’s a line in the show where I say, ‘the greatest man I’ve ever known’ and that’s the way I feel a lot about Eric and the years we’ve spent doing theater together,” he said. McGee said he thinks the chemistry works because the roles highlight what each actor does well. The duo fall into their parts as naturally as any iconic pair who have played them. From left, Kelly Pekar, Eric Davis, Robert Teasdale and Matthew McGee in Freefall Theatre's production of Ken Ludwig's "Baskerville - A Sherlock Holmes Mystery," which runs through April 23 in St. ![]()
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